"The 1,000 Year Plan" aka "Foundation" by Isaac Asimov
(note: The 1,000 Year Plan contains the original four "Foundation" stories - "The Encycopedists", "The Mayors", "The Traders" (aka "The Wedge") and "The Merchant Princes")
For twelve thousand years the Galactic Empire has ruled supreme. Now it is dying. But only Hari Seldon, creator of the revolutionary science of psychohistory, can see into the future -- to a dark age of ignorance, barbarism, and warfare that will last thirty thousand years. To preserve knowledge and save mankind, Seldon gathers the best minds in the Empire -- both scientists and scholars -- and brings them to a bleak planet at the edge of the Galaxy to serve as a beacon of hope for a future generations. He calls his sanctuary the Foundation.
But soon the fledgling Foundation finds itself at the mercy of corrupt warlords rising in the wake of the receding Empire. Mankind's last best hope is faced with an agonizing choice: submit to the barbarians and be overrun -- or fight them and be destroyed.
A great story, told in a terribly boring fashion. One-dimensional characters engaged in various trade negotiations, political upheavals and general planning. Dry beyond belief. The concepts are very engaging--religion as a means of control, psychohistory, etc--but the telling of the story leaves much to be desired. Some sections are much better than others, particularly 1 & 3. There is a really good story between the lines here; one that I think would work much, much better as a television series. (Kevin Kelsey, GoodReads)
The scope of this is just hugely imaginative. The idea is to create the new, and perfect, galactic empire. The old one is dying. But new empires don’t just pop up overnight; it takes years for the right circumstances to arise; it takes years for all the pieces to slot perfectly into place. The brightest mind of the age has used his incredibly farfetched, yet incredibly brilliant, psychohistory to predict the exact date the empire will fall. He has used this field of academia to predict the future, and because of this he can alter events, long after his death, and guide his fledgling civilization into power.
The old empire will crumble in exactly 300 years, so he manipulates the ruling body to send him, and his following, to a remote planet that will eventually develop into something grand. The settlers are all scientists, and they’re all set on one manipulated goal. Harry Seldon controls the future from the grave; he knew what would happen, and he knew exactly when the people of the future should act. He predicted that it would take 1000 years for the new empire to be born. So he appears to them in real moments of crisis in pre-recorded holograms to guide them in the right direction. (Sean Barrs, GoodReads)
Honestly, I don't get why this book/series is so popular. There are some interesting elements to it (for instance, the use of religion as a tool of mass control and the implicit resultant argument that religion is no more than a fraud, "the opiate of the people," after all), but the book gave me little to enjoy or dig into. The forces of the novel are broad, historical, dealing with masses of people; this means that there is little to no room for individual characters here and little to be done by the few characters who do appear. One leader says, in fact, in response to a crisis, the threat of warfare and annihilation, "I'm going to do nothing. One hundred percent of nothing, and that is the secret of this crisis" (191). This is a recurring theme. Plus, there are no female characters to speak of. One man's wife makes a brief and apparently unnecessary appearance for a page-long chapter, but that's it. All else is done by and to men.
There are a couple of minor things I do like about the book. One is Salvor Hardin's statement that "violence is the last refuge of the incompetent," which I like for its endorsement of nonviolent alternatives. Another is the characters' habit of saying "Space" or "Galaxy" instead of God when they exclaim or curse. (Christy, GoodReads)
For twelve thousand years the Galactic Empire has ruled supreme. Now it is dying. But only Hari Seldon, creator of the revolutionary science of psychohistory, can see into the future -- to a dark age of ignorance, barbarism, and warfare that will last thirty thousand years. To preserve knowledge and save mankind, Seldon gathers the best minds in the Empire -- both scientists and scholars -- and brings them to a bleak planet at the edge of the Galaxy to serve as a beacon of hope for a future generations. He calls his sanctuary the Foundation.
But soon the fledgling Foundation finds itself at the mercy of corrupt warlords rising in the wake of the receding Empire. Mankind's last best hope is faced with an agonizing choice: submit to the barbarians and be overrun -- or fight them and be destroyed.
A great story, told in a terribly boring fashion. One-dimensional characters engaged in various trade negotiations, political upheavals and general planning. Dry beyond belief. The concepts are very engaging--religion as a means of control, psychohistory, etc--but the telling of the story leaves much to be desired. Some sections are much better than others, particularly 1 & 3. There is a really good story between the lines here; one that I think would work much, much better as a television series. (Kevin Kelsey, GoodReads)
The scope of this is just hugely imaginative. The idea is to create the new, and perfect, galactic empire. The old one is dying. But new empires don’t just pop up overnight; it takes years for the right circumstances to arise; it takes years for all the pieces to slot perfectly into place. The brightest mind of the age has used his incredibly farfetched, yet incredibly brilliant, psychohistory to predict the exact date the empire will fall. He has used this field of academia to predict the future, and because of this he can alter events, long after his death, and guide his fledgling civilization into power.
The old empire will crumble in exactly 300 years, so he manipulates the ruling body to send him, and his following, to a remote planet that will eventually develop into something grand. The settlers are all scientists, and they’re all set on one manipulated goal. Harry Seldon controls the future from the grave; he knew what would happen, and he knew exactly when the people of the future should act. He predicted that it would take 1000 years for the new empire to be born. So he appears to them in real moments of crisis in pre-recorded holograms to guide them in the right direction. (Sean Barrs, GoodReads)
Honestly, I don't get why this book/series is so popular. There are some interesting elements to it (for instance, the use of religion as a tool of mass control and the implicit resultant argument that religion is no more than a fraud, "the opiate of the people," after all), but the book gave me little to enjoy or dig into. The forces of the novel are broad, historical, dealing with masses of people; this means that there is little to no room for individual characters here and little to be done by the few characters who do appear. One leader says, in fact, in response to a crisis, the threat of warfare and annihilation, "I'm going to do nothing. One hundred percent of nothing, and that is the secret of this crisis" (191). This is a recurring theme. Plus, there are no female characters to speak of. One man's wife makes a brief and apparently unnecessary appearance for a page-long chapter, but that's it. All else is done by and to men.
There are a couple of minor things I do like about the book. One is Salvor Hardin's statement that "violence is the last refuge of the incompetent," which I like for its endorsement of nonviolent alternatives. Another is the characters' habit of saying "Space" or "Galaxy" instead of God when they exclaim or curse. (Christy, GoodReads)
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